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Kapellmeister at the court of Anhalt-Cöthen, 1717–1723
Bach in the Middle: The Cöthen Concertos
SATURDAY, MAY 9, 2015 AT 8 PM

Bach left Weimar in 1717 for the Cöthen where he was to be employed by Prince Leopold, an avid supporter of the arts. The city of Cöthen had no significant choral tradition and no organ of any stature, so instrumental music flourished during this time under Leopold’s patronage and the superior orchestra and soloists at the Court of Anhalt-Cöthen. It was here Kapellmeister Bach created some of the greatest instrumental solo and ensemble work of the late Baroque period including the Brandenburg concerti, many of the solo concertos and works for instruments unaccompanied. Internationally renowned violinist Ingrid Matthews returns to join Sinfonia as soloist in a diverse program of Bach’s greatest instrumental works.

Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041
Partita in D Minor for Violin Unaccompanied, BWV 1004
Ingrid Matthews Olson, violin
Orchestral Suite No. 2 in B Minor, BWV 1067
Kathie Stuart, flute
“Brandenburg” Concerto No. 5 in D Major, BWV 1050
Dongsok Shin, harpsichord

“She [Ingrid Matthews Olson] danced and throbbed with vitality, allowing the music to play her as much as she played it; her extraordinary virtuosity was dazzling in the breadth of movement and emotion she conveyed.”